| ALTERNATIVE NAME | FORMULA | INTERVAL FORMULA | |
|---|---|---|---|
| MELODIC MINOR | Jazz Minor | 1 2 b3 4 5 6 7 | Tone, Semitone, Tone, Tone, Tone, Tone, Semitone |
| DORIAN B2 | Phrygian Natural 6, Phrygian Sharp 6 | 1 b2 b3 4 5 6 b7 | Semitone, Tone, Tone, Tone, Tone, Semitone, Tone |
| LYDIAN AUGMENTED | 1 2 3 #4 #5 6 7 | Tone, Tone, Tone, Tone, Semitone, Tone, Semitone | |
| LYDIAN DOMINANT | 1 2 3 #4 5 6 b7 | Tone, Tone, Tone, Semitone, Tone, Semitone, Tone | |
| MIXOLYDIAN B6 | Aeolian Natural 3, Hindu scale | 1 2 3 4 5 b6 b7 | Tone, Tone, Semitone, Tone, Semitone, Tone, Tone |
| HALF-DIMINISHED SCALE | Locrian Sharp 2, Locrian Natural 2, Aeolian b5 | 1 2 b3 4 b5 b6 b7 | Tone, Semitone, Tone, Semitone, Tone, Tone, Tone |
| SUPERLOCRIAN | Diminished-wholetone, Altered Scale | 1 b2 b3 b4 b5 b6 bb7 | Semitone, Tone, Semitone, Tone, Tone, Tone, Tone |
Wednesday, June 17, 2015
MODES of MELODIC MINOR
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Hey,
ReplyDeleteIt was great to meet you the other day at Starbucks. Who knew pickup technology has advanced so much!
I'm fascinated by Mixolydian b6. If we take it in the key of D, for example, we get D E F# G A Bb C D. To me, that seems like G dorian with a sharp 7 that starts on the 5, if that makes sense. I'll have to think about it, but I think I've seen this key, mix. b6, many times in Irish music. Any idea on what the chord progression would be for mix b6?